Alyssa Hull writes: We desperately need narratives that move past apocalypse as an endpoint, not only because there are people and societies already living through the Western world’s vision of climate apocalypse, but also because it can only inspire a helpless waiting for the post-apocalypse to arrive, suddenly, to cleave the past from the future.
art & fiction
Literature has always conditioned our philosophical understanding of nature. Likewise, ecology as a way of seeing and reading the world has irrevocably changed the study of literature itself. We must examine literary/cultural production in relation to questions of environmental impact, ecological thinking and the implications of revising conventional ways of articulating human with extra-human nature.
Aseem Shrivastava writes: Tagore’s play Mukta-Dhara foretells the manner in which people across the country have been losing their freedom— those uprooted by development quite obviously so, those ‘benefitting’ from it (mostly living in cities) more subtly and invisibly. This is the ecologically fatal price of ‘progress’, which Rabindranath anticipated in much of his work.
Ursula K. Le Guin, legendary American sci-fi author and creator of the classic ‘Earthsea’ series, died on January 22. She was 88. In this tribute, we present a video of her talk on “Transformation Without Apocalypse: How to Live Well on an Altered Planet”, as well as her article on ‘the future of the Left’.
Nature has always inspired art, but in our own age of ecological crisis, it’s taking on a special significance for many contemporary artists. This series looks at path-breaking artists and works that reflect this growing awareness. Here, watch artist-filmmakers Friedrich van Schoor and Tarek Mawad turn trees, mushrooms, and even toads into pulsing, projection-mapped creatures.
Today, global action to stop climate change is inconceivable. Yet, in 1938, global action to stop Nazi Germany was also inconceivable. The world was in Hitler denial. Australian cartoonist Stuart McMillen, whose acclaimed long-form comics are inspired by science, ecology, sustainability and economics, takes on the most daunting challenge of our times – climate change.
Donna Harraway: I’m going to propose that the Cthulucene might be a way to collect up the questions for naming the epoch, for naming what’s happening in the airs, waters, and places, in the rocks, oceans, and atmospheres. Perhaps needing both the Anthropocene and the Capitalocene, but offering something else, something just maybe more livable.
John Michael Greer writes: We are about to witness the disintegration of everything that counts as business as usual, and the opening phases of a bleak new reality that author Frank Landis has sketched out in his Hot Earth Dreams—a brilliant fictional take on what the world will look like in the wake of severe climate change.
In 1977, Time magazine asked science writer Isaac Asimov for his vision of an energy-poor society that might exist at the end of the 20th century. The following portrait, Asimov noted, “need not prove to be accurate. It is a picture of the worst, of waste continuing, of oil running out, of nothing in its
[youtube http://www.youtube.com/watch?v=akX3Is3qBpw] “It’s the oil, stupid!” Mad Max, the 1970 Australian dystopian movie which went on to be part of a hit trilogy will soon be back with a fourth edition. Going by the trailer, it promises a lot more explosions, high speed crashes and other such violent thrills the franchise is known for. The